Repository navigation
Conversation
La pagina /heroe del visor dibuja al stickman de RUNA con three.js y lo viste con el equipo de la ultima ranura guardada: armas, escudo, pecho, casco y botas. El yelmo usa el GLB de Tripo y cualquier GLB con el id del item reemplaza a la forma simple. Las ruinas muestran al Coloso con ceniza y las ciudades el paisaje del reino. El visor lee la ranura solo cuando cambia y tras 250 ms quieta, y publica /state.json. three.js 0.186.1 se baja con --fetch-lib, con sha256 por archivo. El juego no cambia. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
|
|
En la ciudad, NOX, el castillo, el Coliseo y la arena del Coloso, la pagina arma el mapa en 3D con las filas del juego y su tabla TILES: paredes, tejados y ventanas suben, las letras de los carteles quedan como bloques con su letra, y hay arboles, agua, lava, puertas con su nombre y NPC con el color de la terminal. La estatua de los heroes es el heroe de Tripo y el Coloso de Tripo espera en su arena. El heroe camina hacia la celda guardada y la camara lo sigue. El visor sirve /world/<id>.json y /mundo.js, y lee la ranura cada vez que cambia: medido en Windows, un escritor bare-fs contra lecturas de Node cada 1 ms no fallo ningun rename. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Los edificios cerrados del arte pasan a ser cajas altas con techo a dos aguas y ventanas, todas en una sola malla; lo suelto sube por tramos. La camara mira en 2.5D, los NPC son figuras livianas y la ciudad queda en 88 llamadas de dibujo. Un mapa que se esta armando ya no se vuelve a pedir con cada consulta: en una maquina lenta nunca terminaba. Con npm start -- --teclas, bin.mjs lee las teclas que manda la pagina y las mete por program.input, el mismo camino que la terminal. El visor solo las acepta de su propia pagina (header propio y Origin). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
…aviza En los mapas 3D el personaje es heroe.glb, el mismo heroe de Tripo del menu, girado hacia +z y con un balanceo al caminar; el stickman con el equipo cambiable queda en la vitrina. La estatua mira a la plaza y el Coloso hacia el portal. El suelo se filtra suave, el pasto alto lleva matas y el mapa tiene cielo de atardecer. La ciudad baja a 43 llamadas de dibujo por cuadro. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Q quits the game on the title menu and in play, so the viewer never forwards it and the page tells the player to quit from the terminal. When 12 or more key files wait for more than 1.5 s, POST /key answers 409 and the page says the game is not reading keys instead of swallowing them in silence. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
docs/demo/runa-tripo-focused-en.mp4 (78 s, 1280x720, narrated): the four Tripo models in a turntable gallery, two passages of the ASCII terminal demo, and real gameplay recorded from the 2.5D browser view: the Tripo hero walking the city, the Tripo helmet equipped on the stickman and the hero facing the Tripo Colossus among the lava. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
…o hero Built for GitHub Pages, the page runs without the game: the Tripo hero walks the game's maps in the browser with the game's collisions (TILES on the maps; walls, lava and the Colossus body in the ruins), keys 1-6 switch between the city, NOX, the castle, the Coliseum, the Colossus and the showcase, H toggles the Tripo helmet, and touch screens get a pad. scripts/build-web.js builds the site from the same pieces the viewer serves, with relative paths so it works under a subpath. Head pieces now also go on the walking Tripo hero: the page measures the top of its head in the mesh and SKINS.<id>.hero fits the piece around it. The model list, the maps and the GLBs are retried, since a fresh Chrome can fail its first request. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 2.5D view now prefers heroe-anim.glb: Runa's hero remade in A-pose with Tripo H3.1 through Higgsfield, rigged and animated by Higgsfield (Idle and Walk). It is cloned with SkeletonUtils, cross-fades between the clips and wears head pieces on its Head bone. Without that file the original Tripo hero walks as before. scripts/glb-orient.js turns a Tripo GLB to face +Z and stand on y = 0, as the auto-rig expects. Fixes from the three verifiers: the demo blocks NPC cells and keeps diagonals from slipping between walls; walkable ruin glyphs are drawn flat instead of as blocks the hero walks through; the showcase backdrop no longer duplicates; the equip toast survives the hero finishing its load; place buttons release focus; 4xx responses are not retried and live mode retries the model list too; the published pages start in English with a link description and say when WebGL is missing; on phones the HUD is compact, links and toasts stay clear of the pad, a finger can slide between arrows, and the lens widens in portrait so the Colossus is in view on arrival. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The viewer now sends each NPC's role, line, sprite kind and action, the target of every door and gate, the saved bag and gold, and whether the terminal game is listening. A game started with --teclas writes keys/alive every second; when that heartbeat is older than 3 s the page can play on its own. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The 2.5D page now has one play controller for the published demo and for the local page when the terminal game is not listening: it starts where the save left the hero, with its gear and bag, walks with the game's collisions, crosses gates to the matching gate of the next 3D map, lets E talk to the nearest NPC (their own line from the game) and I open the bag to equip items in the view. When the terminal's heartbeat comes back, the terminal drives again. The bag items now carry their slot. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each NPC kind (priest, resident, tavern, alchemist, smith, armorer, guard, king, villager) now has a painted sprite in the style of the Tripo hero: a blocky toy figure with a cube head and a pixel face. The nine figures come from one Higgsfield Nano Banana Pro character sheet (2 credits, job b1da01fb), cut out of the white background with a border flood fill, a ring test that keeps glossy highlights and removes real holes (staff ring, basket handle), soft edges un-mixed from white, alpha bleeding for clean mipmaps and one common scale so the median figure is 256 px tall. They live in assets/npcs/<kind>.png (590 KB in total). scripts/tripo-mundo.js draws each NPC as a camera-facing THREE.Sprite that stands on its cell, with one shared texture and material per kind (marked shared so dispose() keeps them), a soft ground shadow (one instanced mesh per map) and the name tag just above the head. The sprite shader pulls each vertex toward the camera along its own ray in proportion to its height, so the billboard occludes and is occluded like an upright figure (it no longer sinks into the castle facade, and the hero walking behind an NPC does not draw over its head) while looking the same on screen; it also samples the texture half a mip level sharper. Kinds without art, or art that fails to load, fall back to extras.figure() as before. buildWorld() also returns update(time) for a gentle idle breathing; the page does not call it yet. The local viewer serves /assets/npcs/<kind>.png (names matching /^[a-z]+\.png$/, image/png) and build-web.js copies the PNGs into the site. City at the start view: 43 draw calls and 79,486 triangles (was 43 and 79,600). Where NPCs gather the calls drop, for example from 55 to 48, and from 80 to 66 with the camera fully zoomed out. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Rebuild the building pass of scripts/tripo-mundo.js so every detected building reads as architecture from the far 2.5D camera: a stone plinth, walls tinted per building with floor bands and corner posts, roofs with thickness, eaves, tile courses and ridge caps (hipped for near-square footprints, gabled for long ones), chimneys, dormers on the slopes that face the camera, framed windows with sills and mullions, shutters in the city, and a recessed door with an arch or lintel frame on the facade of the door tile, so the door cell is now visible and the hero can stand in the doorway. The huge castle of RUNA becomes a fortress: corner towers with slate spires and banners, crenellated curtain walls with arrow slits, a gatehouse whose gate spans two floors over the castle gate tile, and a keep with corner turrets. Churches get a stone bell tower. NOX is darker and stranger: steep slate roofs with iron cresting, corner pinnacles, pointed doors with a glowing rim and teal veins along bands, ridges and hips. Detection, labels, the buildings count and dispose() are unchanged. Static parts go into one vertex-colored mesh per map and the NOX veins into one unlit mesh; window frames and shutters are InstancedMesh. City runaInfo(): 45 calls and 124k triangles (was 43 and 80k). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Ground texture at 2 to 4 texels per column, with noise-warped soft edges between grass, dirt, cobble and gravel, shade at the foot of walls, trees and rocks, and a warm glow beside lava. Loose cobbles in grass become stones peeking through instead of square tiles. - Ground shader detail at world scale: large patches tinted per map, relief, fine grain, cobblestones on ';' and gravel on '.' and '%'. - A field around each map that fades into the fog, so the map no longer floats in the void past its walls. - Low-poly pines, oaks and poplars with per-instance color, size, turn and tilt, bushes at their feet, rocks, flowers with stems, grass tufts (dense on tall grass, sparse on grass and quiet ground), reeds at pond edges and pebbles on paths. Solid shapes stay inside non-walkable cells. Small repeated plants are split by zone so only visible zones are drawn. - Water and lava surfaces over the existing flat blocks: shallows, ripples and glints on water; drifting crust plates with glowing cracks on lava; a short skirt hides the block sides. - buildWorld returns update(time) to drive wind, water and lava. City at the default camera: 56 draw calls and 87k triangles (43 and 80k before). Building the city map takes 67 to 91 ms in Chrome (34 to 91 ms before). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Move the terrain helpers from right above buildWorld to right after hash(): the NPC sprites branch adds its helpers at the old spot. - Drive the wind, water and lava clock from the ground mesh's onBeforeRender instead of a returned update(time): the NPC branch also adds update(time), and two keys with that name would silently drop one. The motion now runs without any change to the page. Checked with git merge-tree: this branch merges cleanly with wip/edificios, with wip/npcs, and with both together; the merged file runs in Chrome with no console errors (city: 58 draw calls, 132k triangles). Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
The city start moves next to Elian, so the market sign no longer hides the hero and the talk hint shows at once; the castle start moves near the king so his name stays clear of the buttons. dispose() now frees the instance buffers of every instanced mesh when a map is left. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
This branch has not been deployed
This file contains hidden or bidirectional Unicode text that may be interpreted or compiled differently than what appears below. To review, open the file in an editor that reveals hidden Unicode characters.
Learn more about bidirectional Unicode characters
Sign up for free
to join this conversation on GitHub.
Already have an account?
Sign in to comment
1 participant
Add this suggestion to a batch that can be applied as a single commit.This suggestion is invalid because no changes were made to the code.Suggestions cannot be applied while the pull request is closed.Suggestions cannot be applied while viewing a subset of changes.Only one suggestion per line can be applied in a batch.Add this suggestion to a batch that can be applied as a single commit.Applying suggestions on deleted lines is not supported.You must change the existing code in this line in order to create a valid suggestion.Outdated suggestions cannot be applied.This suggestion has been applied or marked resolved.Suggestions cannot be applied from pending reviews.Suggestions cannot be applied on multi-line comments.Suggestions cannot be applied while the pull request is queued to merge.Suggestion cannot be applied right now. Please check back later.
Qué hace
Una página nueva del visor,
http://127.0.0.1:4173/heroe(también/mundo), con el stickman de RUNA en 3D vestido con el equipo de la última partida guardada, caminando por el mundo del juego.El héroe
yelmo.glb). Cualquier GLB llamado como el id del ítem enassets/tripo/(por ejemplospear.glb) reemplaza a la forma simple sin tocar código.El mundo
TILESdel juego: paredes, tejados y ventanas suben, las letras de los carteles quedan como bloques con su letra ("mercado del alba" se lee en 3D), y hay árboles, agua, lava, puertas con su nombre y NPC con el color de la terminal.El stickman y el mundo están hechos con formas simples: no gastan créditos de Tripo. El juego no cambia: no toca
lib/nibin.mjs.Cómo funciona
%APPDATA%\runa\savesen Windows, la misma debin.mjs) y la publica en/state.json..tmpyrenameSynccada 66 ms, comoSaveStore) contra lecturas de Node cada 1 ms no falló ningún rename. Leer la ranura no traba el guardado del juego.lib/map.jsylib/boss-zone.jspor/world/<id>.json; el constructor del mundo está enscripts/tripo-mundo.js.--fetch-libavendor/three/, fuera de git, con sha256 por archivo. Anda sin wifi.docs/heroe-3d.md.Cómo se probó
npm test(142/142) ynpm run lint.Límites
Con el guardado llegan el equipo, el mapa y la celda. Los golpes y la vida durante una pelea no: eso necesita un puente en vivo desde el juego. La pradera tampoco: su terreno sale de la semilla del día, que el guardado no trae.
🤖 Generated with Claude Code